Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Melendez, Luis Eugenio
Still Life with Cucumbers and Tomatoes

ID: 19365

Melendez, Luis Eugenio Still Life with Cucumbers and Tomatoes
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Melendez, Luis Eugenio Still Life with Cucumbers and Tomatoes


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Melendez, Luis Eugenio

Spanish, born in Italy, approx. 1716-1780  Related Paintings of Melendez, Luis Eugenio :. | Still-Life with Melon and Pears | Portrait of Philip V of Spain | Cucumber and tomatoes | Portrait of the Artist Holding a Life Study | Still Life with Figs (mk05) |
Related Artists:
GUARIENTO d Arpo
Italian painter (active 1338-1368 in Padua)
Rosa Bonheur
1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .
George P.A.Healy
American Painter, 1813-1894 American painter, active also in Europe. At the age of 17 he set up a studio in Boston after receiving encouragement from Thomas Sully, who was painting portraits there. Despite his youth and lack of training, he presented himself to the society figure Mrs Harrison Gray Otis and asked if he might paint her portrait (untraced); she agreed and later sponsored Healy's first trip abroad. In 1834 he entered the studio of Antoine-Jean Gros; the French master's suicide the following year ended Healy's only sustained period of artistic study. In Gros's studio he first encountered Thomas Couture, but they did not meet again until the next decade






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